American Teen (2008)

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Directed by award-winning film maker Nanette Burnstein (On the Ropes, The Kid Stays in the Picture) the documentary American Teen was filmed in Warsaw, Indiana over the course of the 2005-2006 school year. Warsaw appears to be the type of place that Hollywood loves to mythologize, the typical Midwestern town where the biggest event is the upcoming homecoming game and the rest of the world barely exists.

For an entire school year, Burnstein focused her camera lens on five Warsaw high school students during their senior year. All of them fall into familiar archetypes that you will recognize no matter how long ago you grabbed your diploma-the princess, the jock, the geek, the rebel and the heartthrob.

First we have Megan Krizmanich, the school’s queen bee. She’s pretty and popular, the daughter of a surgeon and student council president. She’s also a “mean girl” who even turns her venom on her own friends.

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Jake Tusing is the kid no one notices in high school. He’s a band geek and addicted to video games. He’s also got a lethal case of acne and a mouth full of braces but that won’t deter him from finding a girlfriend.

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Colin Clemens is the star basketball player. Instead of being the stereotypical jerk athlete, Colin is nice all-around guy. But underneath his easygoing nature, is desperation. He needs a scholarship to pay for college.

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Hannah Bailey is the rebellious alternative girl. Hannah is artsy, creative and plays guitar in a band. Her biggest goal in life is to get out of Warsaw.

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Mitch Reinholt is the dreamboat. Like Colin, he’s a jock and runs with the cool crowd. He has a killer smile and on a superficial level seems to be just another vapid pretty boy, until he falls for Hannah.

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During the school year, the kids have moments of pure joy, and moments of self-doubt. They have their triumphs and tribulations. All of this is captured by the unblinking eye of Burnstein’s camera.

Early in the school year, Hannah is dumped by her boyfriend. This causes her to go into a tailspin of intense depression. She misses so many days of school that graduation hangs in the balance. Megan’s bitchiness goes out of control. When she gets her hands on a friend’s compromising photo, she e-mails it to everyone at school. Her friend is deemed a skank and becomes the school pariah. Told by his dad that he needs to get a scholarship to afford college (or go in the Army), Colin becomes a selfish player on the court, and causes conflict with his team mates.

Jake awkwardly looks for a girlfriend, and finally finds one among the freshman girls. But she dumps him for the band’s studmuffin, and Jake goes through a cringe-worthy attempt to find a new girlfriend.

At one of her gigs, Mitch finds himself attracted to Hannah, and they start going out. However, later on he caves into peer pressure. After all, their separate castes should never even talk to each other, let alone date. So Mitch breaks up with Hannah via text message.

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Family also comes into play in American Teen. During the movie, we find out that Megan’s family suffered a horrible tragedy. She also feels a great deal of pressure to get into Notre Dame, the alma mater of most of her family, including her successful father. Colin’s father embarrasses his son by working as an Elvis impersonator part-time. It doesn’t take much to embarrass one’s kids, but being an Elvis impersonator really takes the cake.

But it’s Hannah’s parents who truly broke my heart. Her father is distant and her mother is a manic depressive. When Hannah tries to convince both of them the importance of going to San Francisco to study film, her parents tell her that she shouldn’t expect much out of life. When Hannah’s mother coldly says to her, “You’re not that special,” I felt like I had been punched in the stomach. I can only imagine how Hannah felt.

During the film we see kids ignoring the teachers, hanging out with their friends, yawning during class, drinking too much, talking about sex, dancing at prom, and sending text messages. These kids pretty much do what a lot of us did in high school. Okay, some of us our too old to have sent text messages in high school. And interspersed throughout the film, are several animated segments that convey the dreams and desires of these kids.

At the end, we see Colin, Megan, Hannah, Jake and Mitch graduate and go on with their post-high school lives. We also learn what they are up in the two years since they graduated, but I’ll refrain on sharing this information.

For the most part, American Teen, is engrossing, suspenseful and affecting. I ended up caring about these kids, even Megan, who I wanted to smack most of the time. However, just because this is a documentary doesn’t mean that some parts didn’t seem staged. For instance, after she feels she is backstabbed by another student council member over the prom theme, Megan defaces his house with toilet paper and homophobic graffiti. Would she have done this without the prodding of the ever present cameras? I’m not sure. Then again, in a time where kids expose their crazy revelry on various social media and on YouTube, I shouldn’t be surprised to see a scene like this. And anyone familiar with reality TV shows know that what is supposed to be “real” can be as easily manipulated as any fictional TV show or movie.

In the end, American Teen gives us the old adage that the more things change the more they stay the same. Pretty much anyone who went to high school will be able to relate in some way to these kids and the cliques that define them.

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American Teen’s Nanette Burnstein

Sunshine Cleaning (2008)

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Sunshine Cleaning, which briefly graced the big screens a few years back, is the story of the Lorkowski sisters who eke out a living in Albuquerque, New Mexico. Amy Adams plays Rose. Rose once ruled the school as the head cheerleader and she also dated the quarterback. Unfortunately, the years post-graduation haven’t been so kind. She toils as a house cleaner and struggles to raise her offbeat son as a single mom. She’s also having an affair with her now-married high school sweetheart who works as a cop.

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Emily Blunt plays Rose’s younger sister, Norah. Norah is the rebellious bad girl, with the tattoos, black eyeliner and shitty attitude to prove it. She parties all night and sleeps all day. And as the film begins she’s just been fired from her waitressing job, and has no other job prospects on the horizon.

On the advice of her ex-boyfriend, Rose begins a post-crime cleaning business and brings Norah on to help clean up scenes of murders, suicides and other deathly messes after the cops have finished their investigative work. It’s one thing clean up the homes of living people, but it’s quite different to clean up the blood, urine, feces, maggots and vomit of the deceased. But soon Rose and Norah learn there are very human stories among the gore.

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At one home, Norah finds a fanny pack filled with photographs of a young girl. This young girl is the daughter of the deceased, and she’s still living in town. Norah starts stalking the woman (played by Mary Lynn Rajskub) and they end up forming an odd and awkward friendship. Rajskub’s character can’t quite figure out why Norah is so interested in her life, and during an embarrassing moment, she thinks Norah’s interest is sexual, and acts accordingly.

Meanwhile, Rose strikes up a friendship with the one-armed owner of an industrial cleaning products store named Winston (Clifton Collins, Jr.). Winston takes a liking to Rose’s son and he helps the two out when they get into a bind. But despite some of the success Rose is having with the business she can’t help but feel like a big loser, especially when she comes in contact with some of her old classmates who are now living successful lives and living in fancy McMansions, some of which Rose has cleaned. At a baby shower, Rose tries to explain her life to her old classmates, and her shame is unmistakable. As is the thinly veiled smugness and condescension of her fellow high school grads.
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Rounding out the family is Rose and Norah’s father, a not always successful salesman, played by Alan Arkin. His love for his daughters never wavers, but it’s not always enough to keep things together. Especially, with a family secret about the girls’ mother that still haunts them as adults.

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Sunshine Cleaning is a sweet film that will probably bring comparisons to another indie flick, Little Miss Sunshine (and not just because of the appearance of Alan Arkin and sunshine in the title). There is not one bad performance in the film, but this is truly Blunt and Adams’ film. And Adams continues to impress me. I’ve loved her since her Oscar-nominated turn in June Bug. I just know she’ll get that big prize one day.

Sunshine Cleaning also proves that there is validity in every job, even those without a fancy title or a huge paycheck. There can be grace in the moments of grotesque. This is best explained by Rose when she tells her old high school friends, “We come into people’s lives when they have experienced something profound and sad, and we help. In some way, we help.”

Retro Reels: A Place In the Sun (1951)

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In the drama A Place in the Sun, Montgomery Clift plays George Eastman. Though related to a rich industrialist named Charles Eastman, George is looked down upon because his family is poor. Still, that doesn’t stop him from taking a job in his uncle’s factory. George hopes his work ethic will impress his uncle so he can work his way up, and also work his way into his uncle’s upper crust world.

Though dating co-workers is strictly verboten, George starts dating fellow factory worker Alice Tripp (Shelly Winters). Alice is plain-looking and poor but truly smitten by George and his connections to his wealthy uncle even though George’s connections seem to be in name only.

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Despite dating Alice, George falls in love with Angela Vickers (Elizabeth Taylor in her first adult role) after meeting her at a party. Angela is not only beautiful she is also from a wealthy family. Dating Angela brings George closer to the upper crust world he always desired.

hqdefaultHowever, Alice is hardly out of the picture, and it isn’t before long she announces she is pregnant with George’s child. She believes this will prompt George to marry her. Not surprisingly, George is not happy with this idea, especially since he is in love with Angela. He tells Alice to have an abortion but she refuses. She figures since George is getting closer to his uncle’s world of wealth, he’ll have no problem supporting a wife and child.

Alice soon sees a newspaper of photo of George and Angela and realizes he is cheating on her. Alice confronts George, threatening to tell everyone about what is going on between them and about the pregnancy. He better marry her or else.

To save face, George takes Alice to the local city hall for a quick elopement. However, it is Labor Day week-end and city hall is closed. Instead of ditching Alice, George convinces her they should visit a nearby lake. Not quite realizing what George has in mind, Alice agrees.

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While renting a boat under a false name, George acts nervous. Finding out there are no people on the lake George thinks this might be a good time to murder Alice and dispose of her body. With Alice out of the picture George is free to continue dating Angela and free from marrying Alice.

However, once Alice tells George how excited she is about their future and the upcoming birth of their child. George has a change of heart. He can’t murder Alice. He must do the right thing and marry her. But when Alice stands up in the boat, the boat capsizes, and Alice does drown.

816full-a-place-in-the-sun-screenshotGeorge, however, is safe, and he swims to shore. He goes to Angela’s family lake home and struggles to keep the story of Alice’s drowning a secret. But before long Alice’s body is discovered, her drowning is ruled a homicide.

With a great deal of evidence stacked against him George is arrested for Angela’s death. This happens just as George is going to ask for Angela’s hand in marriage.

Though George is innocent, the evidence is overwhelming. He tries to explain what lead up to Alice’s accidental drowning, but the prosecutor (Raymond Burr) aggressively pulls apart George’s testimony. The prosecutor convinces the jury that George committed first degree murder and the jury finds him guilty. George is sentenced to the electric chair.

As George faces his last days he pours his heart out in a letter to Angela. He claims he did not kill Alice but her drowning was perhaps his only way to leave his poor, underprivileged past behind and start fresh with Angela.

A Place in the Sun is lushly filmed in black and white, and its romantic scenes are unbelievably passionate and erotic. Elizabeth Taylor’s beauty is beyond compare and she and Montgomery Clift have electric chemistry that leaps off the screen. A Place in the Sun was nominated for nine Oscars and won six, including a best director Oscar for George Stevens.

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Based on the Theodore Dreiser novel, An American Tragedy, A Place in the Sun highlights the huge gap between rich and poor, even among family members. It also conveys how one’s ambitious desires, and obsession with money and status can make people consider doing horrible things. A Place in the Sun also shows how people can be victims and victimize others.

Look At Me (Comme Une Image-2004)

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The French comedy of manners, Look at Me (Comme Une Image), centers on Lolita (Marilou Berry) and her famous writer father Etienne (Jeanne-Pierre Bacri). Lolita is plain and overweight, and assumes most people want to get to know her because of her father. And usually, she’s right. However, she does have one thing going for her, a lovely singing voice, and is taking voice lessons.

Unfortunately, her father is too wrapped up in his own world to take notice of his daughter. One of his books has just been made into his movie. He has a stunning second wife. And people are constantly vying for his attention. He has no interest in his insecure daughter, and seems almost ashamed of her. Lolita herself is not without her faults. She is distrustful of anyone who makes overtures of friendship. And at times her self-pity is off-putting.

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Yet, Lolita does seem to have one bright light in her life-music. And her singing teacher Sylvia, played by Agnes Jaoui (who also directed and co-wrote the script) takes a special interest in Lolita. Initially, Sylvia’s interest is rather self-serving. Her husband, Pierre (Laurent Grevill) is a fledgling writer. Sylvia assumes if she befriends Lolita, she’ll introduce Pierre to her father, and Pierre’s writing career will finally get off the ground.

But it isn’t long before Sylvia realizes Lolita has a talent that must be nurtured, and that Lolita, herself, is worthy of attention and praise. Sylvia especially notices this when she and her husband are invited to Etienne’s country estate, and he berates everyone around him including Lolita.

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At the same time Lolita’s musical talent is being developed, she begins a friendship with a young man named Sébastien (Keine Bouhiza). Sébastien is also a writer, and Lolita once again thinks his friendly overtures are only to connect with her father. Lolita tries to get her father to help Sébastien, too dense and insecure to realize Sebastien is actually interested in her, and her only. Yes, he’s a writer, but he’d rather concentrate on developing a writing project with his friends rather than be mentored by an egotistical blowhard like Etienne. Will Lolita wise up and realize Sébastien really likes her for her, and she has value all on her own?
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Look at Me is at turns funny and mortifying. Ms. Berry is wonderful as Lolita, vulnerable, heartbreaking and all to easy to identify with all at once. At times you don’t know if you want to shake her or hug her. And you will find Mr. Bacri positively maddening as the selfish Etienne especially in one scene where he walks out of his daughter’s choral performance to take a phone call.

Look at Me takes an unflinching look at our narcissistic celebrity culture, especially once we learn those we worship often have feet of clay. It also examines how feeling like loser in a sea of success, fame, money and beauty that is so crippling we can barely break out the box we’ve put ourselves in.

Guest Film Review: 68 Kill by Tari Jordan

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Tari Jordan lives and loves in Austin, TX. She adores her kids, cats, wine, well-written fan fiction and all forms of pop culture. Like the mistress of this blog (that would be me) she is a big fan of the CBS drama Criminal Minds. She writes about the show at her blog Criminal Minds Fans. Due to the care and craft Tari puts into her blog she has become well-acquainted with people who work in front of the camera and behind the scenes of Criminal Minds. She has even interviewed cast and crew members of the show.

Tari recently attended Austin’s celebrated SXSW festival where she got to view 68 Kill, Matthew Gray Gubler’s latest cinematic effort (you most likely know Matthew Gray Gubler as the Dr. Spencer Reid on Criminal Minds). She was also lucky enough to meet Mr. Gubler. Or should I say, Mr. Gubler was lucky enough to meet Ms. Jordan?

Here is Tari Jordan’s review of 68 Kill. Thanks, Tari!

Starring: Matthew Gray Gubler and AnnaLynne McCord
Directed by: Trent Haaga

This film was featured in the Midnighters category at SXSW 2017, which is where I got to see it, three times, with the cast and director in attendance.

From the opening shot of Gubler as Chip’s enamored face watching his lady-love while she sleeps, to the closing shot of his flowered flip-flop shod foot pressing the accelerator, this is one helluva ride.

The object of his desire, Liza, energetically played by McCord, is batshit crazy, no doubt. We don’t actually know that right at first, but we do see that she’s aggressively hostile and abusive, and that our hapless hero Chip likes it that way.

From then on this film introduces us to a host of characters that Liza is only happy to dispatch, if it will get her closer to the 68 thousand bucks she wants to steal from her disgusting sugar daddy. What’s that, you say? Yep, Liza supplements her and Chip’s income by selling sex to some gross guy while Chip is out making an honest living by emptying septic systems.

So sugar daddy makes the mistake of bragging about his cash stash during one of their ‘visits’, and her heist plan is hatched. She steals a couple of guns, tells Chip he’ll be the cutest burglar ever (he actually really is, and Gubler is excellent in this role, completely open and real, and riveting in all his scenes), and convinces him to go along with it, as long as nobody gets hurt.

Of course, nothing is as easy as it seems, not only do people get hurt – they get dead – by the now fully unleashed psychopath Liza’s hand. Chip is horrified and can’t believe he’s been roped into this, and to make matters worse, now there’s one girl named Violet (Alisha Boe) that Liza didn’t kill in the trunk of their getaway car. Good thing too, because she becomes very important to Chip later.

There’s sex and violence dished out in equal measure here, and as Chip slowly comes into his own, we’re pulled along on his increasingly horrible hero’s journey. The supporting characters are all excellent (special nod to Sam Eidson who plays Liza’s repulsive and psychotic serial killer brother Dwayne, perfectly). Morally reprehensible and void of conscience is always a good recipe for a film villain, and this movie has several. Sprinkled throughout are generous doses of humor and the laughs never feel forced. It’s a mix that’s tricky to get right, and director Trent Haaga succeeds.

68 Kill is one of the most tightly wound murder comedies I’ve seen, and the payoff is extremely satisfying. There’s a running empowerment thread for nearly every female in the cast, and it’s rare in movies like this that usually tend to objectify and weaken the female characters. From the gas station attendant that forces Chip to orally pleasure her, to the menacing kohl-eyed leader (Sheila Vand) of a pack of sickos that hold Chip prisoner while they torture him (and here I did have to look away. Seeing MGG savagely battered isn’t my cuppa, fake or not.), all the women are in charge.

Highly recommended if what you’re in the mood for is a wholly funny, revved-up, fast-paced, bloody bowl of awesome murdery death.

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Look at this gorgeous creature! And the fellow on the right isn’t so shabby either. Love ya, Tari!

Highway 61 (1991)

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In the dark comedy/road movie Highway 61, small-town barber (and sometime musician) Pokey Jones (Don McKellar) seems to be content with his life. Then he finds a dead body in his backyard. Jackie Bangs (Valerie Buhagiar), a rock band roadie, sees a picture of the dead body in the newspaper and decides to pay Pokey a visit. While Pokey dyes her blonde hair red, Jackie tells him that the dead body is her brother Jeffrey, and she has to get him back to the States, New Orleans to be exact, to bury him.

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Pokey then realizes he’s up for some adventure, and he decides to drive Jackie and her dead brother to New Orleans. However, unbeknownst to Pokey, Jeffrey is not Jackie’s brother. She’s using the corpse to transport drugs back to the States. Still, the naïve Pokey is drawn to the seen-it-all Jackie, and he puts the corpse into a makeshift coffin and straps it to the top of his car. It’s New Orleans or bust!!!

During their journey, most people are vaguely intrigued by the coffin on Pokey’s car. You can always seen odd things while traveling in America. One of the people along the way, is a father trying to make stars out of his weirdly-talking daughters who dance like in a stilted, robotic style. A dead man on the roof of somebody’s car? Who cares? Stardom awaits for this man’s brood.

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But what else awaits? Could it be Satan? Among the group of ragtag characters is Mr. Skin (Earl Patsko) who is basically the devil in the disguise of a sleazy, polyester-wearing huckster. Mr. Skin is buying souls on his journey through America. And just how much is a soul? At times, a bottle of whiskey will suffice. People are cheap. While tempting them to sell their souls, Mr. Skin takes cheap Polaroids of them, and then uses these shots to do not so nice acts on the victims.

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Pokey may be naïve, but he isn’t dumb. And he begins to figure out that something is up with Jackie and her dead non-brother. But due to his growing attraction to Jackie, and his new found love of America, Pokey sets his reservations aside. He’s finally connecting with places he could only read about in a small-town Canada. It’s time to break the shackles and get wild!! And Pokey and Jackie act on their attraction while enjoying their travels.

In this immensely likable and entertaining film, the American south is used to show the type of oddball characters you probably won’t find in a travel brochure. Don McKellar (who also wrote the screenplay) is sweetly dorkish as Pokey Jones, and Jackie Buhagiar is spot-on as a cynical  roadie. And Earl Patsko nearly steals the show as the devilish Mr. Skin. The movie also uses both irreverent conversations and peculiar observations that will ring true to anyone who has taken a road trip. Highway 61 is wacky, funny and real, and just might inspire you to fill up the car and hit the road…minus a dead body and the Devil, of course.

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Live Nude Girls (2000)

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I doubt you think “union organizer” when you hear stripper. When you think of stripper you probably think of breast implants, drug addiction, exploitation, slutty, uneducated, lap dancing and so on. The stereotypes of stripping aren’t exactly positive. But if you watch the Live Nude Girls Unite you just might be surprised.

Narrated by Julia Query and filmed by Vicky Funari, Live Nude Girls Unite tells us about the long journey Ms. Query and her fellow strippers took trying to unionize the Lusty Lady, a strip club in San Francisco. Just like any other working person, the strippers wanted fair wages, health insurance and progressive work policies. However, they were often seen as dirty girls who deserved their bad lot in life.

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But Query and her fellow strippers to not let prejudice and stereotypes deter them. Nor do they get discouraged when Lusty Lady’s management tells them they’re not working “real jobs.” But just like working in an office or in a factory, stripping for 10 hours a day is work. Yet there is this idea that sex workers do their jobs because they enjoy it, not because they are trying to get paid. Perhaps earning a paycheck isn’t as sexy to the customers.

Some of Query’s fellow strippers strip because it gives them the flexibility to raise their families or because they are in school. Sometimes they strip to earn extra income. Query strips simply to make ends meet. She’s a lesbian, a feminist, a grad school dropout, a stand-up comic and a nice Jewish girl. Her mother happens to be Dr. Julia Wallace, an advocate for sex workers. During one moment in the film we see a segment from 20/20 where Barbara Walters accompanies Dr. Wallace as she passes out condoms and counsels prostitutes in New York City.

Live Nude Girls Unite shows the strippers’ working conditions, and informs the viewers why they decided to unionize. A couple of non-strippers who work at the club join the unionizing efforts. The film shows them meeting with lawyers and union organizers, and negotiating their contract, which was not a simple task. We also get to see the workers picketing the Lusty Lady with the hilarious chant “2, 4, 6, 8, don’t go in to masturbate.” Working to unionize the Lusty Lady was difficult and at times the workers were disappointed, but they refused to back down, and their tenacity is inspiring.

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Live Nude Girls Unite also shows a very personal side. Despite working to unionize the strip club, Ms. Query has yet to inform her mom of her job. It is one thing for Dr. Wallace to pass out condoms to hookers, it’s quite another to find out your daughter is a stripper. Dr. Wallace reacts in a way we expect any mother to react, and for a while she and her daughter were estranged.

Made on a G-string budget, Live Nude Girls Unite lacks the polish of other documentaries, but that’s part of its charm. It is honest and gritty, and you really do find yourself cheering the strippers on. Live Nude Girls Unite whether you work a job where you keep your clothes on or strip down to your birthday suit, you deserve a workplace that is fair and just.

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Filmmakers Vicky Funari and Julia Query

Iron Jawed Angels (2004)

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“Well-behaved women seldom make history” – Laurel Thatcher Ulrich

On August 26, 1920 the women of the United States got the right to vote. This did not come to be without the tireless efforts of many women, some of them known, some of them nameless. I am very grateful for the women who literally put their lives on the line to give me the right to vote, so I highly recommend the movie Iron Jawed Angels.

Iron Jawed Angels tells the story of two very brave women, suffragettes Alice Paul (Hilary Swank) and Lucy Burns (Frances O’Connor). In the beginning of the film, the two have returned to the United States after spending time in England where they’ve been very involved with women’s suffrage. They soon join forces with Carrie Chapman Catt (Angelica Huston) and other seasoned activists in the National American Women Suffrage Association (NAWSA) to help American women get the right to vote.

However, NAWSA finds Paul and Burns much too frivolous and rebellious. Paul and Burns are seen as way too radical for Catt and her cohorts when it comes to gaining women’s suffrage. Both young suffragists want a constitutional amendment for American women to have the right to vote. The older suffragists want to use a more conservative state-by-state approach.

Before long Paul and Burns break away from NAWSA and start their own organization, which they call the National Women’s Party (NWP). One of NWP’s goals is to oppose any candidate who is against a constitutional amendment giving women the right to vote.

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After disrupting President Woodrow Wilson’s speech to Congress after he refused to meet with the suffragettes to discuss the issue, Paul and Burns go on a country-wide speaking tour to drum up support for their cause. They join forces with influential people like labor lawyer Inez Mulholland (Julia Ormond) and political cartoonist Ben Weissman. There is even a strong attraction between Paul and Weissman, but she holds off on romance because she wants to devote her time to the cause.

While in San Francisco, Mulholland passes away. Paul is devastated. She feels guilty because she convinced Mulholland to go on tour with them even though she was seriously ill. Very depressed, Paul goes back to her family’s home. But soon Burns convinces her that she is desperately needed. Both ladies go back to Washington DC to further the cause.

The country is now involved in World War I. The idea of women getting the right to vote is seen as silly during war time, and public opinion is not favorable towards the suffragettes. While picketing on the sidewalk in DC, the suffragettes are arrested for the trumped-up charge of “obstructing traffic.” The suffragettes refuse to pay the fine and are sentenced to sixty days in a women’s prison.

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While imprisoned, Paul goes on a hunger strike after being put in solitary confinement and denied any legal representation. The other suffragettes join Paul in the hunger strike, and later they are violently force-fed by the warden.

Paul starts writing about their experiences after a guard smuggles her a pen and some paper. One of the suffragette’s husbands, a prominent senator, is so horrified by the conditions the suffragettes are living in that he gets the word out. Formerly despised, the suffragettes are now supported by the American public who calls them “iron jawed angels.”

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Despite her misgivings about Burns and Paul, Catt is impressed by all the work they have done in name of women’s right to vote. She convinces President Wilson to support women’s suffrage and soon the suffragettes are released from prison. After getting the appropriate amount of states to support the Susan B. Anthony amendment, American women were given the right to vote on August 26, 1920.

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Iron Jawed Angels is wonderfully acted and truly riveting. The story of these brave women is not very well-known but so important. And despite covering a very serious topic, Iron Jawed Angels has its lighter moments. In one scene, a young suffragette sees the cutest hat a store window and just has to have it proving one can be a feminist and a fashionista at the same time.

Iron Jawed Angels should be shown in American history classes. Every young woman and young man in America needs to learn this story. After watching this movie, you will never take the right to vote for granted again.

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