Every Little Step (2008)

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Just over forty years ago, a dancer and choreographer named Michael Bennett sat down with several dancers for a 1970s-style rap session, and recorded their thoughts on an old-fashioned reel-to-reel tape recorder. After listening to these dancers pour out their hearts, Bennett knew he had something special. These very personal words were set to music and became the Tony-winning musical A Chorus Line. Today, A Chorus Line is performed all over the world and has become a cultural touchstone.

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The documentary, Every Little Step follows a group of young dancers as they go through the grueling audition process for the 2006 Broadway revival of A Chorus Line. Though many of these dancers weren’t even born when A Chorus Line first debuted, they can’t help but want to be a part of something so huge. Most of them don’t expect this to make them mega stars; they just want to dance. And besides, they need to work. As one of them explains, “I need a job. I’m out of unemployment.”

The auditioning process takes several months, and soon the pool of dancers is whittled down to a handful of hopefuls. We get to see the dancers mostly through their auditions and the characters they want to play. Several are standouts. The already notable Charlotte d’Amboise seems almost destined to play Cassie the down-on-her luck hoofer who just missed the brass ring of stardom. A Broadway veteran (Cats and Chicago) and the daughter of famed dancer, Jacques d’Amboise, Ms. d’Amboise knows how stardom can be so close yet so far away.

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Jessica, auditioning for the part of sexy Val, is a sweet and talented girl from New Jersey who has completely devoted her life to dancing and is now ready for her big break. And when Jason Tam, auditioning as Paul, a young man who recently reveals his homosexuality to his parents, brings the casting panel to tears during his audition, you know it’s a very special moment. Jason is destined to play Paul.

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Interspersed throughout Every Little Step, are talking heads with some of the original cast members of A Chorus Line. Donna McKechnie was the original Cassie and won a Tony for her work. And Bayoork Lee, who played Connie in the original production, is back as a choreographer, and she isn’t shy about whipping the dancers into shape. The late Marvin Hamlisch, who composed the music for A Chorus Line, tells us that even after winning three Oscars, he knew he had to be a part of A Chorus Line. He also lets us know how the “Tits and Ass” song got its actual title of “Dance Ten, Looks Three.” Bob Avian, who along with Mr. Bennett, choreographed the original background, is also back but this time as a director.

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But most touching is seeing footage of Mr. Bennett who we sadly lost to AIDS in 1987. We get to see TV footage of him dancing, and we also get to see interviews with him after A Chorus Line debuted describing how important it was to bring dancers and their stories to the forefront. I found myself getting a bit choked up when he received his Tony and claimed, “I wanted one moment, and now I have it.”

Soon individual dancers get their moments as they are told they got the part. You find yourself silently cheering when these dancers find out all of their hard work and determination is finally paying off (and you really feel for those who don’t get the role they wanted).

Every Little Step meant a lot to me because A Chorus Line is one of the first Broadway musicals I ever saw, and I knew it would appeal to the theater geek in me. But I don’t think you need to be into the theater to enjoy this movie. We all have the desire to do what we love, be understood and reach for the stars.

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Guilty Pleasure Movies: Rock ‘n’ Roll High School (1979)

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In 1979’s Rock ‘n’ Roll High School, Vince Lombardi High students love rock ‘n’ roll, but they don’t seem too interested in getting an education. The leader of these wayward students is Riff Randall played by PJ Soles (whatever happened to her?). Riff is a huge Ramones fan and would love for them to play at her school. Unfortunately, she has Principal Evelyn Togar (Mary Woronov) to deal with. Principal Togar hates rock music and vows to keep it out of the hallowed halls of Vince Lombardi High. After all, how can students concentrate on studying for finals when they’re too busy cranking up the Ramones to ear shattering decibels? Principal Togar recruits horrified parents to burn the offending records, which inspires Riff and the rest of the students take over the school. They are joined by the Ramones who are made honorary Vince Lombardi High students. Finally, the police are summoned and they demand the students evacuate the school, which leads to one hell of a finale. Hmm, my high school years certainly weren’t this explosive.

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Rock ‘n’ Roll High School is loads of fun and boasts a kick ass soundtrack. It’s the perfect guilty pleasure flick for anyone who has wanted to stick it to the man, or in this case, the principal. When you wanna rock, reading, writing and ‘rithmetic can wait.

Guilty Pleasure Movies: Grease 2 (1982)

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When we became “hopelessly devoted” to the movie Grease in the summer of 1978, little did we know we’d be revisiting Rydell High a few short years later. But Hollywood had different ideas. And in the summer of 1982 we got the sequel, Grease 2.

However, Sandy and Danny from the first film had long graduated. Olivia Newton-John (Sandy) was getting “Physical” and John Travolta (Danny) was in a bleak period of his career only to have a comeback with Pulp Fiction more than a decade later. Nope, Grease 2 featured a cast of unknowns (most of them stayed that way), and brand new shenanigans at Rydell.

As the school year of 1961 commences at Rydell High the T-Birds and the Pink Ladies still rule the school. Head Pink Lady, Stephanie Zinone (Michelle Pfeiffer) has just broken up with head T-Bird Johnny Nogerelli (Adriam Zmed). However, that doesn’t mean Stephanie’s loins don’t get all warm and toasty over a leather-clad, motorcycle-riding bad boy.

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Enter Michael Carrington (Maxwell Carrington) who just happens to be Sandy from the first film’s cousin. I guess Rydell has a special student exchange program with Australia. From the moment Michael lays his peepers on Stephanie he is smitten. But Pink Ladies can only date T-Birds, and Michael is way too clean-cute a wholesome for a bad ass like Stephanie.

Stephanie gives Michael the cold shoulder and tells him her feelings in the song “Cool Rider.” Not one to be deterred, Michael develops an alter ego to his goody-goody persona, a mysterious man on a motorcycle with only a helmet and goggles to hide his true self. Stephanie falls hard for this biker stud, and soon she and “Other Michael” are an item. “Other Michael” is sexy and brooding, and he’s got a bitchin’ motorbike. But he’s also kind and respectful towards Stephanie, exactly what she wasn’t getting from dating a T-Bird.

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Stephanie soon finds out it’s Michael Carrington who is her dreamboat on a bike because how much of a disguise are a helmet and goggles anyway? Not surprisingly, Stephanie is in an age-old dilemma: stay true to her high school chums or be with her one, true love. Can she possibly have the best of both worlds? You have to watch to find out.

Grease 2 features songs that make the original’s look like Cole Porter’s. However, they are rather catchy. “Score Tonight” combines bowling with a teen’s burgeoning sexuality. And in “Reproduction” the kids pay homage to doing it with lyrics like “Reproduction (reproduction)/Put your pollen tube to work/Reproduction (reproduction)/Make my stamen go berserk.” Sex is also heavy on the students’ minds in a patriotic “Do It For Our Country.” But things aren’t so sex-drenched with songs like “Who’s That Guy?” and “(Love Will) Turn Back the Hands of Time.”

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Besides featuring a cast of newbies, Grease 2 also featured stars including Eve Arden, Tab Hunter, Connie Stevens, Dody Goodman and Sid Caeser reprising their roles from the first Grease. As for the newbies, well, only Michelle Pfeiffer reached stardom. As for the rest? Well, I’m too lazy to look up their names on IMDB.com.

Grease 2 was a commercial and a critical flop, and didn’t quite live up to its predecessor’s glory. Besides in the summer of 1982 the monster blockbuster E.T. was taking over the cineplex, and another teen movie, Fast Times at Ridgemont High spoke more to the teens of the early 1980s than Grease 2.

Still Grease 2 had its cheesy charm. My sister and I saw it countless times once it hit cable TV. We knew it wasn’t cinematic art, but we enjoyed Grease 2 in all of its “so bad, it’s good” glory, and isn’t that what guilty pleasure movies are all about?