Written and directed by Whit Stillman, The Last Days of Disco takes place in the early 1980s during the waning days of disco’s glittery glory days.
The Last Days of Disco focuses on two recent college grads, Alice Kinnon (Chloe Sevigny) and Charlotte Pingress (Kate Beckinsale). They now live in Manhattan and work at a publishing house. Classmates at a prestigious east coast college, Alice and Charlotte seem to be friends more out of convenience, not actual affection. If Sex and the City had been around at the time you would call Alice and Charlotte “frenemies.”
After work, Alice and Charlotte spend their nights at Manhattan nightclubs socializing with the upper-crust elite and looking for fun and romance. Alice is quiet, soft spoken and intelligent. Charlotte is outgoing and spirited, but quite conceited. And she never fails to give Alice advice on men and dating. Desperate, Alice takes this advice even though it screws her up.
Alice and Charlotte strike up a friendship with Des (Chris Eigeman) an employee of one of their favorite clubs. Des is quite the ladies’ man but claims to be gay once a relationship sours. Alice and Charlotte also find romance at the club, often with men who turn out to not be Mr. Right. Charlotte dates a man named Josh (Matt Keeslar) even though he really wants to be with Alice. And Alice has a one night stand with a lawyer named Tom (Robert Sean Leonard), who leaves her with a venereal disease.
Despite their “frenemy” relationship, Alice and Charlotte decide to move in together. Realizing their parents’ generosity can only go so far, they take in another roommate, Holly (Tara Subkoff). Holly may be Alice and Charlotte’s roommate, but she never quite becomes their friend. Alice and Charlotte often question Holly’s intelligence and choices in men.
All this closeness proves to be too much for Alice and Charlotte, and they soon part ways after a bitter conflict. Charlotte commiserates with Des, claiming her personality is just too much for mousy girls like Alice. But things look up for Alice once she starts dating Josh.
The Last Days of Disco isn’t so much about action and plot as it is about relationships, feelings and catching a singular moment of time. Remember it was the early 1980s. The glamorous and glittery debauchery of the 1970s was starting to look cheap, tawdry and despondent. Soon AIDS would haunt our sexual consciousness, and before long school children everywhere would claim, “Just say no” when it came to drugs.
Like many other coming of age films and TV shows like Girls, The Last Days of Disco examines the idea of young people “finding themselves.” Characters, who at turns seem so sure of themselves, question their choices in love, careers and friendship. And the social dynamic between Alice and Charlotte is quite familiar to anyone who found themselves hanging out with people they didn’t really like but felt they needed them as some kind of life raft during uncertain times.
The Last Days of Disco is considered the final chapter of Whit Stillman’s self-proclaimed “Doomed-Bourgeois-in-Love-Series,” which also included Metropolitan and Barcelona. All the performances ring true, and Chloe Sevigny is especially affective as the self-effacing Alice.
Some people might be put off by a movie focusing well-to-do elites, but these are no Kardashians or younger versions of the Real Housewives. Alice and Charlotte’s difficulty in navigating a confusing world ring true whether you grew up with a silver spoon or on a steady diet of cheap mac n’ cheese.